TAKE AN #EYESELFIE, WIN £600 HEADSHOTS !

Headshots are all about eyes in 2015, so get blinking creative to win a session with me & Casting Call Pro worth £600- Tweet or Email your winning #eyeselfie.

In Febraury, Casting Call Pro and I ran a competition to win headshots, by getting an #eyeselfie that caught a connection between eyes, thought and camera to make a striking image.

JackPikeWe’re excited to announce the very lucky winner of our headshot competition is Jack Pike for his Leo DiCaprio ‘the Beach, young lost physically & spiritually’ eyeselfie. Jack wins headshots with me, worth £600!

There were so many brilliant and inspired #eyeselfiesJust look at the pinboard here

It was tough picking 1 winner, so we decided to award 4 runner up prizes to Hannah Bury and Darryl Hughes and David Sandercock and Siobahnan McKiernan. Well done guys, you get free Premium time eye-five!

Jac has won a total overhaul of his professional portfolio.

  • Headshot healthcheck to assess current portfolio and casting, worth £25.
  • The American headshot portfolio, worth £350: a new package from Michael Wharley Photography, covering all your promotional needs: standard actors’ headshots in a range of studio & naturally-lit setups for the UK castings market, US-style headshots for Transatlantic castings, and model-style promo shots tailored to your needs.
  • Full makeup and hair by Terri Urwin, worth £150.
  • 100 hardcopy, full-colour, prints supplied by Top Print-Lab 10x8prints.com, worth £80+

Spotlight on head & bodyshots for actor Sam Smith

Spotlight on…creating a new head & body shot portfolio for actor Sam Smith of Waterloo Road and Vikings

 

Headshot portfolio subtly capturing playing-age range for actor Sam Smith

Headshot portfolio subtly capturing playing-age range for actor Sam Smith ©Michael-Wharley-2013

Last month, I spent an enjoyable morning shooting with actor Sam Smith.

Sam’s had a great run of work recently, including leads in Waterloo Road and Casualty, not to mention appearing in blood-and-guts, Emmy-nominated, US hit Vikings (though the games geek in me was more excited that he’s recording a lead character for the new Assassin’s Creed…)

That’s exposed him to a lot more US castings than before, and meant he came to the session with a fairly specific brief for both headshots and body shots.

I thought it’d be interesting reflect on the results a little, because it illustrates how an actor can have substantial input into the success of session with any photographer.

Capturing playing range

Full length body-shot for Sam Smith © Michael Wharley Photography 2013

Full length body-shot for Sam Smith © Michael Wharley Photography 2013

Rather fresh-faced, Sam can play young, and certainly has done in his career to date. So, he was keen to give his agent, Conway van Gelder Grant, headshots capturing both youthfulness and a degree more ‘edge’ and maturity.

Not to mis-represent him of course, but to help them sell Sam to employers across the range of the 16-25 age bracket he has listed on Spotlight.

As you can hopefully see from the set of three above we achieved this by keeping a little bit of stubble throughout for definition and to age Sam up a fraction, as well as by carefully varying outfits, lighting conditions, hair and Sam’s address to camera.

The blue shirt-shot – with hair almost entirely off the forehead and shouders slanted away from camera to suggest a slighter build – is younger and more ‘wholesome’, while the other two, shot straight on and with warmer, more mischievous/stronger thoughts help Sam show a slightly older, edgier casting.

I’d say the right-hand shot is a nice half-way house between the two ‘extremes’.

  • Without such a brief from Sam, we’d have got him some lovely general shots, but his specificity meant we were able to zero on on exactly what he and his agent needed.
  • That’s the sort of detail you should be able to throw confidently at any good headshot photographer – they will use their skills and technical ability to help you tell those casting stories.

Build & Bodyshots

Body-shot for Sam Smith © Michael Wharley

Body-shot for Sam Smith © Michael Wharley

It seems increasingly common for UK actors getting a lot of US castings to need 3/4 length, full-length and even body shots – I guess Stateside producers want to see the full package, and with series like Game of Thrones making on-screen male nudity de riguer, full-package means almost everything on show…

At 5’8″, Sam’s no half-pint, but having bulked up for a recent role, he wanted some dramatic bodyshots showing off this toned physique.

So we worked on something with the photographic vernacular of men’s health or fitness shots (see the 3/4 length above), as well as something with a moodier, more ‘fashiony’ set up (see the full-length above).

These aren’t going to be first up in Sam’s Spotlight portfolio, but they are useful tools to have in the armoury when specific castings arise.

  • In the UK there’s a little bit of historical snobbery about 3/4 or full-length shots in casting – as straightforward descriptive shots they tend to be associated with extras and walk-on artists.
  • But as our headshot approach gradually takes on more US stylings, I do think there can be a place in an actor’s promotional portfolio for good quality longer shots, with a fashion or lifestyle photography vibe. Not least because they can offer an accurate preview of build.
  • Check out headshot photographers like Nicholas Dawkes, Mug Photography and Faye Thomas, who all offer their takes on 3/4 length or full-length promotional shots for actors.

Sam says…

“Having the space to relax and get comfortable before and during the shoot made a big difference – the knowledge that you allow for time to get the best possible shots immediately put me at ease. I was delighted with the finished shots, as was my agent.”

15/08/2013 MW

Check out Previous ‘Spotlight On…’ articles

Spotlight on… Katherine Press Headshots

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Katherine Press headshot portfolio

Creating a new headshot portfolio for Katherine Press.

A Cambridge graduate, a former student of the Central School of Ballet, and currently to be seen alongside Chiwetel Ejiofor in Poliakoff’s ‘Dancing on the Edge‘ on BBC 2, Katherine had been an eloquent participant in myTake Control of Your Headshots seminar for the Actors Guild in Autumn 2012.

And she was kind enough to choose me to shoot her new actors headshots later in the year.

Katherine particularly wanted to give her agent, United Agents, a breadth of new photos to help capitalise  on a run of excellent work – including Ophelia in Trevor Nunn’s “Rosencrantz & Guildenstern are Dead” at the Theatre Royal, Haymarket.

Capturing true range

Keen that her photos show directors and casting professionals a true sense of her range, Katherine was able articulate some specific castings to focus on together in the session:

      • Something to capture a classical elegance and youthfulness
      • Something softer and more commercial.
      • A tougher, grittier shot for more contemporary and ‘edgier’ castings.

 

As a headshot photographer, I find that’s a great place to start, because for all that I can make quick assessments about an actor’s skin tone, eye colour, hair colour, facial structure and potential casting, often it is the actor who knows him or her self and their career best.

Showing range subtly

So, working together, we selected the tops that Katherine had brought to to best suit these broad themes.

And by shooting both indoor and out, as well as reviewing batches of photos  regularly, we were able to capture that range together.

Not just with lighting, hair and clothing choices, but also by directing Katherine to subtle variations of thought and mood.

Hopefully, the portfolio above gives a sense of our success; the photos are now helping Katherine show her full casting range to casting directors, both on Spotlight, and on her website.

Katherine says…

Michael’s “philosophy” on the value of having a varied headshot portfolio really struck a chord with me. In an enjoyable and relaxed session, we worked together to produce a new selection of shots to cover the full breadth of my casting range.”

 

Check out Previous ‘Spotlight On…’ articles

Spotlight on… David Gant Headshot

David-Gant-actor-headshot-Michael-Wharley

He’s played Merlin more times than he cares to mention, has appeared in classic films from Gandhi to Braveheart to Brazil, models for the likes of David Bailey and was right at the top end in last year’s The Times Best-Dressed list.

So, ahead of out headshot session, it did cross my mind that David Gant might  be a wee bit grand, but in fact he was a delight to spend time with.

We were working together because a filming job required him to sport less facial hair than normal, and David’s Agent, Lynda Ronan, spotted a good opportunity to add breadth to his headshot portfolio on Spotlight

Headshot Variety

David-Gant-actor-headshot-Michael-Wharley

Facial hair is such a defining feature in a headshot that it can very hard to see past it to the face beneath.

While David is sporting a fairly defined whiskers here, they are much lighter than his normal beard, giving him an edgier, tougher look than his more normally hirsute appearance.

So we worked on lighting set-ups and I directed David to feelings to try and capture more of that toughness. And by choosing one of his plainer tops and shooting with hair tied back, also added a more thoughtful shot towards the upper end of David’s playing range.

It just goes to show that even with an appearance apparently dictated by  beard and long hair, you can still find ways to demonstrate range and variety in headshots.

David says:

“The atmosphere in Michael’s studio is one of relaxation: he puts you at ease from the start – there is no fuss, he knows exactly what he is doing, and gets on with it, with subtle direction…”